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The problem was that his band were getting bigger and better gigs and with these brought increasingly powerful lighting rigs. Martin just couldn't see the dots; "when the spotlights came on I couldn't see a blind thing! All I could see were 24 gleaming frets and of course the top edge was completely shadowed."

So he went to the London Bass Centre to buy some L.E.Ds he had seen on a Warwick. Unfortunately, he learnt that you had to buy the Warwick bass and order it with the L.E.Ds, but he couldn't afford it, and he did not want to give up his own bass guitar. They say that necessity is the mother of invention, and so Martin devised a method of retro-fitting his bass with side edge L.E.Ds without disturbing the fingerboard or frets. This meant that the bass both sounded and felt the same after the work was done.

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