Sea Of Tranquility'den Sojourn'a gelen ikinci kritiğimiz;
Dreamtone: Sojourn
Posted by Murat Batmaz, SoT Staff Writer on 2006-04-06 09:13:57
Although their Unforseen Reflections was no where near like a demo, Sojourn is Dreamtone's first official album. The band shows growth and improvement, moreso musically than sonically (as the demo sounded amazing in its own right). Their new work features some great international names, such as the amazing Gary Wehrkamp of Shadow Gallery doing the narration on several tracks, telling the story of a fallen angel trying to reunite with its family; and the noted mastering engineer Jim Brick who's previously worked with artists like James Labrie and Jordan Rudess. While the recording and mixing of the songs is strong and dynamic, I firmly believe the tracks with Wehrkamp's spoken parts are noticeably lower than the other instruments, and as he appears on a total of six tracks through the album, this may get a bit distracting, if not annoying.
Vocalist Oganalp Canatan's singing style is rough and in-your-face, and in my opinion will be the make-it-or-break-it factor for most of the listeners. Though quite a special voice in its own way, it is arguable how well it fits music in this vein: highly melodic, often symphonic synth arrangements, thunderous guitar rhythms, silent piano passages, spoken lyrics, cinematic moments, and so on. At times, marching drums and visceral guitar melodies create a dark aura as on "Reasons", a song featuring plenty of epic power metal riffs, atmospheric keyboards, and sweeping guitar solos. Mostly instrumental, the piece stands out as one of the more powerful cuts on the disc. Actually, the instrumental sections on the album can be quite riveting, be it the acoustic guitar and keyboard-driven "Nightmare" or the Blind Guardian-like instrumental number "Escape", starting with sparse piano notes and fiercely hitting atmospheric heights with a balanced drum and guitar interplay, all within a mandotory power metal blueprint. One big exception has got to be the lovely "Come to Me" ballad, sung by both Canatan and female singer Yasemin Genc whose beautiful harmonies lend the piece a dreamy vibe. The two singers duet, exchanging verses in such an uncannily Ayreon style that the song feels like a leftover from The Human Equation album, only with less professional vocal parts. The album's heavier (and in many ways most inviting) track is "Riot". The guitar riffs are heavy, as they sparkle and brim with German power metal influence, and the vocal harmonies are solid. The track constantly moves between its heavy and calmer moments, rendering the instrumentation most dynamic.
Even though some people refer to Dreamtone as a progressive metal band (or power-prog whatever that means), I don't really think they're proggy at all. What I hear in their music is solid guitar riffs that could often be heard in dark power metal, somewhat angry and emphasized vocal lines, great synth playing and some orchestral moments, with spoken parts and some female vocals used for good measure. That said, if you consider bands like Blind Guardian, Angra, Kamelot, Rage, or even Rhapsody prog metal, then feel free to add Dreamtone to the list. At any rate, they're a great band with a promising future, but continued work (both musically and lyrically) is a must. For a band so young, Sojourn should be considered a big success. It surely needs to mentioned that getting Gary Wehrkamp to guest on your debut album cannot be overlooked. Let's hope their newly-found distributor helps them reach a wider audience.
My Score:3.5/5
Dreamtone: Sojourn
Posted by Murat Batmaz, SoT Staff Writer on 2006-04-06 09:13:57
Although their Unforseen Reflections was no where near like a demo, Sojourn is Dreamtone's first official album. The band shows growth and improvement, moreso musically than sonically (as the demo sounded amazing in its own right). Their new work features some great international names, such as the amazing Gary Wehrkamp of Shadow Gallery doing the narration on several tracks, telling the story of a fallen angel trying to reunite with its family; and the noted mastering engineer Jim Brick who's previously worked with artists like James Labrie and Jordan Rudess. While the recording and mixing of the songs is strong and dynamic, I firmly believe the tracks with Wehrkamp's spoken parts are noticeably lower than the other instruments, and as he appears on a total of six tracks through the album, this may get a bit distracting, if not annoying.
Vocalist Oganalp Canatan's singing style is rough and in-your-face, and in my opinion will be the make-it-or-break-it factor for most of the listeners. Though quite a special voice in its own way, it is arguable how well it fits music in this vein: highly melodic, often symphonic synth arrangements, thunderous guitar rhythms, silent piano passages, spoken lyrics, cinematic moments, and so on. At times, marching drums and visceral guitar melodies create a dark aura as on "Reasons", a song featuring plenty of epic power metal riffs, atmospheric keyboards, and sweeping guitar solos. Mostly instrumental, the piece stands out as one of the more powerful cuts on the disc. Actually, the instrumental sections on the album can be quite riveting, be it the acoustic guitar and keyboard-driven "Nightmare" or the Blind Guardian-like instrumental number "Escape", starting with sparse piano notes and fiercely hitting atmospheric heights with a balanced drum and guitar interplay, all within a mandotory power metal blueprint. One big exception has got to be the lovely "Come to Me" ballad, sung by both Canatan and female singer Yasemin Genc whose beautiful harmonies lend the piece a dreamy vibe. The two singers duet, exchanging verses in such an uncannily Ayreon style that the song feels like a leftover from The Human Equation album, only with less professional vocal parts. The album's heavier (and in many ways most inviting) track is "Riot". The guitar riffs are heavy, as they sparkle and brim with German power metal influence, and the vocal harmonies are solid. The track constantly moves between its heavy and calmer moments, rendering the instrumentation most dynamic.
Even though some people refer to Dreamtone as a progressive metal band (or power-prog whatever that means), I don't really think they're proggy at all. What I hear in their music is solid guitar riffs that could often be heard in dark power metal, somewhat angry and emphasized vocal lines, great synth playing and some orchestral moments, with spoken parts and some female vocals used for good measure. That said, if you consider bands like Blind Guardian, Angra, Kamelot, Rage, or even Rhapsody prog metal, then feel free to add Dreamtone to the list. At any rate, they're a great band with a promising future, but continued work (both musically and lyrically) is a must. For a band so young, Sojourn should be considered a big success. It surely needs to mentioned that getting Gary Wehrkamp to guest on your debut album cannot be overlooked. Let's hope their newly-found distributor helps them reach a wider audience.
My Score:3.5/5
