pisuvardaki_izmarit demiş ki:
Jeff_Loomis demiş ki:
Alder(akçaağaç) veya mahogany (maun) en iyileridir. Gerisi pek iyi sayılmaz.
Yanlış bi bilgi vermişsin gitar yapımında kullanılan en değerli,en verimli,en özel ağaçlar "KORİNA VE KOA" ağaçlarıdır. Bu arada alder(kızılağaç) , maple(akçaağaç)'tır.
Gitarımı bir kez daha çok sevdim
😆
Maple - Our Maple necks are 1 piece vintage style with skunk stripe and headstock plug made out of Pau Ferro. We use a very light satin wood feeling finish. Maple has a unique tone, strong in the midrange with a sweet spanky high end. Maple will cut through when you need it and is never muddy on the bass. Good for overdrive, good harmonics. Excellent on a Basswood Back Quilt Maple Bent top Standard. Very Ballsy, we put a flat finish on maple so it doesnt feel sticky.
Maple / Pau Ferro - Quarter sawn Pau Ferro has the good properties of ebony but seems to be more reliable and stable. Pau Ferro is a tight grained hard wood with excellent clarity on the "chunk" tones when using gain, especially when teamed up with an alder body. In overdrive mode it has a fatter low end and more pronounced sparkle when compared to maple. It adds excellent definition to the notes especially when using overdriven tones. Strong in the lower mids and bass, scooped mids.
Maple / Indian Rosewood - Sweet and warm with some sparkle on the top end, probably one of the most popular fingerboard woods, it is open grained with colors ranging from brown black to red brown. Warm, Fat, not too bright not too dark. Very neutral.
Maple / African Rosewood - Rich color, red brown with interesting patterns to sometimes almost black. Madagascar seems to have a wide frequency response brilliant highs and punchy lows. A tight grained rosewood similar to Brazilian Rosewood. Good with darker sounding body woods and humbucker settings. Strong upper midrange and extra presence, slappy. Very similar to Brazilian in color and tone. Our species is actually a brown madagascar.
Maple / Old Brazilian Rosewood -*Limited availability* Has the characteristics of Indian and Madagascar rolled into one, Not as much brights as the Madagascar and more crisp than Indian. Best not used on Ash unless you like brights or compensate in some other way like the pickups or bridge
Body Wood
Alder- Rich and full, strong in the lower midrange. This is probably one of the most widely used woods in the 60's for 3 single coil style guitars. It is Medium to Light in weight and takes well to sunbursts and some transparent colors.
Swamp Ash- Popular in the 50's for electric guitars this wood is alive and light weight. Swamp ash just wants to vibrate. Bright and sweet at the same time, excellent grain pattern, all transparent finishes look great on
Swamp Ash. 1 piece Maple neck is a natural for Ash. Pau Ferro fingerboards also work well.
Basswood- Strong Midrange, balanced tone and light weight. Light color and almost no grain patterns Basswood is best suited for solid colors or is excellent as a backing wood for a maple top. All necks work on Basswood, Indian would be on the woolier warmer side.
Basswood Back / Quilt Maple Top - Ok, this may be the Holy Grail of tone, The Basswood response is extended by a 3/16" Maple top adding more clearity and grind to the fattness of the Basswood, my favorite! Usually colors chosen will be opaque on the back with transparents on the top, LP style. Most Excellent with a Maple neck.
Ash Back / Quilt Maple Top - Auditioned with a Madagascar Bois de Rose fingerboard. I used to think that the Alder Body / Pau Ferro fingerboard was one of the best overdrive tones.... Hmmmm , the Ash Back has that open ring with good clarity, The Maple top seems to add another dimension, Not harsh at all but very alive sounding both clean and dirty. Also an excellent look for transparent colors both on the back and front. Makes for a light guitar as well. I'm getting the itch to build myself one real bad! Nice punch, scooped mids. 1 piece Maple neck also a killer tone for this combo.
Chambering
With chambering we remove the wood inside using 6 tuned chambers. What you loose is some weight and a little of the edginess. What you gain is sweetness and a warm low end. One of the punchiest guitars we have made was a Swamp Ash Classic T , Quilt Maple Top with a birdseye maple neck, Hum single Hum Classic T. The Classic T tends to have more punch than any other shape, this in conjunction with the chambers and the ballsier 1 piece maple neck is definitely a killer tone. Think of the chambering like adding a tube rectifier to you amp. A little more compression and woollier, Maybe not for the aggressive heavy metal shred tone but works for everything else from AC/DC to light Jazz. A big plus is you drop 3/4 of a pound. We can chamber any wood combination. We will also add an f hole or Cats Eye for no additional charge
Body shape tones
Something worth mentioning is that different body shapes do sound different. It could be due to the mass or the shape. All things equal...pickups, necks, bridge, etc. The Classic T might be a little heavier guitar but has the punch to back it up. The Classic and Standard are great sounding guitar as well and do everything they are supposed to do but the Classic T definately has some serious punch.
Other tones
Lets not forget that there are many things that influence tone, the body and the neck wood are a strong part of that but they are not all that matters. For years I played a Solid Quilt Maple Standard with a rosewood board neck and a Floyd. Bright you think? Not really... The Floyd isn't very bright - sort of neutral, the rosewood warmed it up, I used a hot dark bridge pickup. All this equaled a combo that was a killer shred guitar and never got lost behind the keyboard. The only disadvantage was the price of the wood and the fact it wasn't the lightest guitar in the world. Sometimes a guitar or a sound will sound killer in your living room but just not cut properly with a band.
Many have experienced what I have as well, you spend all day dialing in your tones at home or at your rehearsal space, you think you have all your tones dialed in perfectly ....the band comes in, rehearsal or the gig starts....... the first thing you do is run to your amp to turn up the treble, turn down the bass and turn down the effects............sound familiar?
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